"to me, being a woman is learning how be as much as i can. my mother was raised to take care of all the men in her life, but she taught me to care for myself. my mom taught me that being a woman is hard because you’re taught to care about others more than yourself, and sometimes it takes a lifetime to realize the only thing you really have is you, and working on yourself like a magnum opus is more rewarding than being thanked."
Stuckism handy guide to the art world…. An act by an individual which interferes with an existing artwork is termed an “intervention” and the individual termed an “artist” if they are endorsed by a Tate curator or are dead. The same, or similar, act by an individual interfering with the same artwork (or even interfering with the interference to the artwork), if they are alive and are not endorsed by a Tate curator, is termed “vandalism”, and the individual termed a “criminal”.
This week’s Modern Art Notes examines the new Aperture magazine (#214), which explores the growth and evolution of documentary photography.
The guests on this week’s program are:
Hito Steyerl, featured in Aperture #214 e-mailing with Bard professor Thomas Keenan about the role photographs play as a document of something that happened (or may have happened). Steyerl is a Berlin-based artist and filmmaker whose work often examines the mass proliferation of digital images. The Institute of Contemporary Arts London is showing her work in the exhibition “Hito Steyerl,” which runs through April 27. (In association with the exhibition, Steyerl has created a two-part edition for free download. Check it out.)
Emily Schiffer, whose "See Potential" project is featured in Aperture #214. She has received grants from the Open Society Foundation and the Magnum Foundation. "See Potential" was a project that used documentary photography to address the neglect of Chicago’s traditionally black neighborhoods. Working with Orrin Williams, the founder of the Center for Urban Transformation, Schiffer designed a project that identified community goals and that solicited community feedback on potential changes in those communities. During the program Schiffer mentions the work of Tonika Johnson and Carlos Javier Ortiz.
Teru Kuwayama, who discusses his 2010-11 project “Basetrack” in Aperture #214. Kuwayama has received fellowships from the Hoover Institution, TED, the Dart Center at Columbia University and at Stanford. ”Basetrack” embedded five photographers embed within a Marine battalion in Afghanistan that was focused on counterinsurgency. The project documented the battalion’s work through photography and a specific, targeted use of social media platforms such as Flickr and Facebook. While the project is no longer on line in its original form, it is residually available at Facebook, Flickr, Vimeo and especially at Kuwayama’s Instagram page. See the project "30 Mosques."
Talia Herman, a California-based journalist and photographer. Herman is a graduate of the International Center of Photography’s Documentary and Photojournalism Program and has worked on projects for The Wall Street Journal, Wired, Google and Men’s Journal. Last week Al Jazeera America featured Herman’s work in "Getting By," part of the organization’s ongoing examination of poverty in America. As part of “Getting By,” AJAM asked people living below the federal poverty line to share their stories. Russ Bowers of Guerneville, Calif., wrote in, and AJAM selected his story to tell through his own words and through Herman’s pictures. Herman and host Tyler Green also discussed this image of the California drought.
“With their parallel lives, animals offer man a companionship which is different from any offered by human exchange. Different because it is a companionship offered to the loneliness of man as a species. Such an unspeaking companionship was felt to be so equal that often one finds the conviction that it was man who lacked the capacity to speak with animals — hence the stories and legends of exceptional beings, like Orpheus, who could talk with animals in their own language.”—The great John Berger (of Ways of Seeing fame) on animals and what our relationship with them reveals about us. (via explore-blog)
Don’t make me sad, don’t make me cry Sometimes love is not enough when the road gets tough, I don’t know why Keep making me laugh, let’s go get high Road’s long, we carry on, try to have fun in the meantime